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Where the sun should not, cannot, does not shine

April 2024 Solar Eclipse Poems: Fred Turner and George Morgan

Pasted together by Roger Malina


The ArtSciLab under Philip Martin’s curatorship is organizing an eclipse exhibition – the anxious joke is that the eclipse is crossing from Mexico to Texas without a passport or visa.

Meanwhile a call for eclipse poems has already et to these by Fred Turner and George Morgan.

If you would like to publish an eclipse poem, send it to roger.malina@utdallas.edu

Here goes:
A Reading for the eclipse
On March 26th, 2100, shortly after the Spring equinox that year, Pope Francis III will give a Good Friday sermon on the subject of the sun. Pope Francis is a Native American by birth and an astrophysicist by training.

“on the Sun” from Fred Turner
(from Apocalypse: an Epic Poem, book 8) pre-ambulation to the eclipse poem which follows:

“The English language has a lucky pun:
The sun of heaven and the true-born son.
In my tradition—I’m a Mescalero—
The Sun was the first word of the creation,
And still the truest likeness of its Source.
You can see clearly how our ancestors
In every tribe might worship that bright zero,
That pure all-color white too dense to see,
Which gives, and gives, and lets us see and know,
And feeds all things, and comes back every year.
Easter was built upon the ancient rites
Of gods who died in fall and rose in spring,
Who die at night and come back in the morning.

“Now I’m a scientist as well, and know
The sun to be a giant ball of plasma,
Burning its hydrogen to helium,
Tearing five million tons in every second
Out of itself as light and energy,
Breaking its own mass, giving it away.
Perhaps the likeness holds, though, stronger still:
A god is, in the human imagery,
The greatest of all givers, sacrificing
Its plasma, its own lifeblood, for our planet,
Breaking its bread and pouring out its wine.

Let’s go back to the start: the sun as god,
And God as giver and self-sacrificer.
What we know now is that Creation
Was necessary by the force of  logic.
‘Why is there something, and not nothing’ was
A loaded question, presupposing zero
To be the default state for being itself.
But think: of all the possibilities,
Nothing’s the most unlikely state of all.
Think of the natural numbers, plus and minus,
And pick at random one of them: the chanceIt’s zero is one in infinity.
Privation isn’t what should be assumed:
Abundance is the only true assumption,
And like the sun, which gives abundantly,
God is the name we give that wild abundance.
Zero is not the end but a beginning:
If zero ever was, the moment after
Would be a wild explosion of new forms,
The cosmic egg would hatch, the world expand,
Its stretching making mass to shape itself,
Its cooling crystallizing into form,
To complex kinds of time, to life, to thought.
The zero is a sundisk, not an absence,
A generosity that burns itself
To make our gentle hills and trees and birds,
Our bodies, thoughts, our actions and our words.

Eclipse by Fred Turner
April 8th, 2024

The unseen dragon eats the sun.
A shadow drowns the drowsing mind,
The self by Alzheimer’s undone,
The nightmare of all humankind,

Paper reminders by the sink,
The winter’s slow then sudden chill,
The inability to think,
The lost, lost footing of the will;

The last squeeze of the mother’s hand,
The swift horizon-darkening,
The coming of the shadowland,
Where all the birds have ceased to sing:

All this we soon or late must know
As tokens of the kindling.
We are not things, but some bright flow;
Promethean fire is not a thing.

If Kali swallows up the sun
She also gives him birth again.
By kindling is the world begun,
The green bud opening after rain,

Quick run of flame along the log;
The waked cat opening golden eyes,
The sudden clearing of the fog,
The mental spark of a surprise.

Our first awareness at the breast,
Our first smile when we knew we knew,
Were such a kindling, and the rest
Is doing what our fire can do.

A Reading for the eclipse Fred Turner
Poem by George Morgan

The path of totality for the upcoming solar eclipse will first be observable off the western coast of Mexico near the village of Villa Corona. From here the Moon’s circular shadow—also known as the umbral cone— will proceed in a northeasterly direction across several Mexican states including Durango and Sinaloa. It will then cross the Rio Grande River between Del Rio and Eagle Pass, entering the U.S. via the state of Texas. It will do this without permission or papers, thus making it an illegal umbral cone crossing. Texas Governor Abbott has put the National Guard and local law enforcement agencies along the border on full alert. “We will not be intimidated,” announced the governor at a recent press conference. “The umbral cone will not—I repeat not—be allowed to cross our border.” The Moon could not be reached for comment.




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The Magnus Effect

Mourya Viswanadha


Little did I know that my passion for cricket and storytelling would not only lead me to new opportunities but also unite me with a like-minded individual, Roger F. Malina 

My name is Mourya Viswanadha, and I am currently pursuing my master’s in information technology and management at the University of Texas at Dallas. Before my academic pursuits in the United States, I had a cricketing background and cricket has been an integral part of my life. I played professionally in India, representing various age groups for my state side and engaging in club cricket in Hyderabad. Recently, I participated in a Cricket league conducted by the Nairobi Provincial Cricket Association in Kenya before moving to the States to pursue both my academic and cricketing aspirations. As a passionate cricketer and a student of science and technology, my path has been shaped by the love for cricket, Intersection of technology and storytelling, and the pursuit of knowledge.  

David Obuya, Collins Obuya, and I in Nairobi, Kenya

Upon my arrival at the University of Texas at Dallas, it was pure coincidence I ran upon Roger F. Malina at the ArtSciLab, a nexus where the arts and sciences converge to explore innovative collaborations. Roger F. Malina, a distinguished physicist, astronomer, and Executive Editor of Leonardo Publications at MIT Press, is renowned for his work focusing on connections among digital technology, science, and art. As an individual deeply interested in the intersection of technology and storytelling, I pitched my idea for a virtual reality immersive project titled “Qualia: Can Conscious Storytelling Transform Us?” to Roger F. Malina. To my delight, he approved the project, and it became my current focus at the lab.

Me at the ArtSciLab, working on my project “Qualia: Can Conscious Storytelling Transform Us?”

But what does cricket have to do with our connection? Surprisingly, Roger F. Malina’s own journey involves cricket. He had played cricket in the UK when he was ten years old, with his first match dating back to 1960. Coincidentally, I also started playing cricket at the age of ten. This shared passion for the sport served as the initial spark for our connection, paving the way for discussions beyond cricket and into the realms of science, technology, and storytelling.

Me playing cricket at the age of ten

As a left-handed batsman and leg-spinner, I’ve always been fascinated by the intricate physics of cricket. From the aerodynamics of a cricket ball in flight to the biomechanics of a batsman’s swing, cricket is a sport deeply rooted in scientific principles. As a science student, I can tell you cricket involves a lot of physics.

Cricket, a sport beloved by millions around the world, is not just a game of bat and ball; it’s a showcase of fundamental physics principles in action. From the moment the ball leaves the bowler’s hand to the precise timing of a batsman’s shot, every aspect of cricket can be analyzed through the lens of physics.

For instance, consider the trajectory of a spinning cricket ball. As a leg-spinner, I manipulate the ball’s rotation to generate drift and spin, exploiting the Magnus effect to deceive batsmen. The spin imparted on the ball causes it to deviate from its straight path through the air, a phenomenon known as the Magnus effect. This effect arises due to the difference in air pressure on the two sides of the spinning ball.

Me bowling leg spin, utilizing the Magnus effect

Moreover, the collision between bat and ball is a perfect demonstration of Newton’s laws of motion. When a batsman strikes the ball, the force exerted on it determines its speed and direction. According to Newton’s second law, the force applied is proportional to the rate of change of momentum, resulting in the ball’s acceleration. This acceleration, combined with the elasticity of the ball and the bat, dictates the resulting trajectory of the ball after impact. Batsmen aim to time their shots perfectly to maximize the transfer of momentum and send the ball to the boundary.

Furthermore, the conditions of the pitch play a significant role in determining the behavior of the ball. A dry and dusty pitch offers more friction, allowing spin bowlers to grip the ball better and extract more turn. On the other hand, a wet or grassy pitch reduces friction, favoring fast bowlers who rely on pace and bounce. Bowlers must adapt their strategies based on the conditions of the pitch to maximize their effectiveness.

In conclusion, cricket is not just a game of skill and strategy; it’s a fascinating playground for exploring the laws of physics. By delving into the physics of cricket, players and enthusiasts alike gain a deeper understanding of the intricacies of the game and the scientific principles governing it. So, the next time you watch a cricket match, take a moment to appreciate the physics behind every delivery, every shot, and every wicket.

Beyond my academic and cricketing pursuits, I am also fortunate to work under Roger F. Malina as an Operations Coordinator for the Sigma Xi group, a prestigious scientific research honor society. This role allows me to further delve into the world of scientific research, complementing my passion for storytelling and technology.

Our shared appreciation for the physics of cricket has not only deepened our bond but also fostered collaborative discussions within the ArtSciLab. By integrating our insights from cricket into my immersive storytelling project, titled “Qualia: Can Conscious Storytelling Transform Us?”, we aim to explore the parallels between the art of technology and storytelling, unveiling new perspectives on human perception and consciousness.

In conclusion, cricket has served as a unifying force, bringing together individuals from diverse backgrounds to explore common passions and forge meaningful connections. Through our shared journey, Roger F. Malina and I continue to bridge the gap between sports, science, and technology, demonstrating the profound impact of interdisciplinary collaboration in unlocking new avenues of exploration and discovery.

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A Brief History of Emergence

Frederick Turner, Robert J. Stern, and Roger Malina


‘A Brief History of Emergence’ appeared in the Athenaeum Review – New publication by an ArtSciLab Member.

Spiral galaxies, hydrothermal systems, animals, ecosystems, oceanic currents and tides, hurricanes, civilizations, political systems, economies, and war are some of the many examples of emergent phenomena, in which low-level rules give rise to higher-level complexity.

The cascading crises of our times—climate change, pandemic, mass extinctions, a major war, political chaos, ideological conflict, a profound questioning of truth itself, the descent of the social media into rival righteous mobs, to name a few—require a better framework of understanding. Things have not just changed: change has accelerated on all fronts. Are all these crises just a coincidence, or are they actually symptoms, or byproducts, of some deeper process? In many academic disciplines, new models of how things happen are offered, that share a crucial insight into the nature of change. Disciplinary boundaries have often hindered researchers and analysts in different fields from seeing parallel developments in the new ideas cooked up next door. All of these changes and crises are best understood as due to a process often called “emergence,” though other terms have been proposed.

Read complete article here.

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Creative Disturbance

“Creative Disturbance” is an exciting new podcast initiative from ArtSciLab, designed as a dynamic platform for sharing diverse and thought-provoking ideas. Open to individuals worldwide, this podcast encourages participants to also nominate others for interviews, aiming to amplify voices across a spectrum of interests and languages. With its commitment to fostering global knowledge and understanding, “Creative Disturbance” is not just about arts meeting science; it’s a hub for all who have intriguing topics and stories to share, contributing to a richer, more informed global community.

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The Emergence of the Arts and Humanities at UT Dallas: An anecdote

Roger F. Malina and Thomas Kubli


The term “disremembering” entered my thinking upon the death of a colleague Richard Brettell. He was a ‘refugee’ to UT Dallas when he lost his job at the Dallas Museum of Art.

He was one of the people who helped convince Roger Malina to move to Dallas from the south of France, an un-regrettable decision. He re-inventured him.

I searched him online and found the Wikipedia entry above. But I also found this:

Wow… the more factual account is this.

I have never shared this dismemory with anyone else on the planet, But Fred Turner did in a meeting with Robert Stern and Roger discussing the emergence of the arts and humanities at UT Dallas.

Bretell was instrumental in the most important dismemory that triggered my interest in disremembering as a desirable activity. Forgetting intentionally or accidentally or remembering anyway.

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Crowdfunding for Creative Disturbance

Get ready to donate to our creative disturbance crowdfunding campaign!

Virtual Africa and Virtual India and virtual Iceland and Nepal and here we come !!

Email to Roger Malina (rxm116130@utdallas.edu) if you want to start your own channel and have us publish it or if you would like us to interview a friend colleague or family member to making them disturbingly famous.

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Wandering Air from Feynman to Embodied Ingenuity

Roger F. Malina


This morning, I am readying material provided by Anu Gowda and Yueh-Jung Lee; I serve on their PhD committees. This blog is a result of this weekend work, and I would like to bring to their attention:

https://www.sciencedirect.com/science/article/pii/S2713374521000108

Creativity studies has focused on creative thinking processes, problem-solving, and innovation, while the embodied dimensions of creativity have remained a tangential thread. In part, this is due to the challenge of running original, quantitative experiments in the embodied and performing arts.

At a more paradigmatic level, it is also due to the valuing of cognition over embodiment that continues to structure academia and creativity studies. Not running counter to cognitive creativity, but interconnected with it, embodied creativity includes creative expressions and processes that emphasize or are generated by the physical body.

About the Author:

Roger F. Malina is a space scientist and astronomer, with a specialty in extreme and ultraviolet astronomy, space instrumentation and optics. He served as director of the Observatoire Astronomique de Marseille Provence and was NASA Principal Investigator for the Extreme Ultraviolet Satellite project at the University of California, Berkeley.

He is also a publisher and editor in the new emerging research fields that connect the sciences and engineering to the arts, design and humanities. Since 1982, he has served as Executive Editor of the Leonardo Publications at MIT Press. He founded, and serves on the board of two nonprofits, ISAST in San Francisco and OLATS in Paris, which advocate and document the work of artists involved in contemporary science and technology.

He is currently a Distinguished Professor of Art and Technology and Professor of Physics, at the University of Texas at Dallas and Directeur de Recherche for the CNRS in France. He serves as the Associate Director of ATEC, and founded the ArtSciLab in the ATEC program fall 2013.

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3000-year-old Bronze Animal Mask from SanXingDui China is where ArtSciLab member Haoyi Song comes from

Haoyi Song recently donated a magnetic badge to the ArtSciLab. Bronze objects found in the second sacrificial pit included sculptures of humans, animal-faced sculptures, bells, decorative animals such as dragons, snakes, chicks, and birds, and axes. Tables, masks, and belts were some of the objects found that were made out of gold, while objects made out of jade included axes, tablets, rings, knives, and tubes. There was also a large number of ivory and clam shells. Researchers were astonished to find an artistic style that was completely unknown in the history of Chinese art.

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Announcing the Doors of Delusion Trans-sensory Grief

Eric Fulbright, Roger Malina, Jan 24 2024


Doors of Delusion (Grief) An artistic sensory experience in Denton Texas

The ability to process grief is often suppressed by the demands of everyday life. In the face of major loss, one is still bound to certain priorities and routines, a schedule that isn’t patient, and rarely compromises.

In film, it is common to see a hyper romanticized, or a minimized portrayal of grief. For dramatic effect, it may make sense for writers leave out the more tedious and mundane details. However in reality, it is not resolved in a 2-hour run time. For some, this takes decades. And even so, the ongoing expectations you had before remain.

Through constant demand, and inability to focus, one could gradually forget themselves in the mess of it all.

In this artistic interpretation of grief, the senses of touch, vibration, smell, and sight will work together. The artistic installation, created by Eric Fulbright with Roger F. Malina’s outsights, will be experienceable in early February in Denton, Texas.

We are badly designed to understand the world around and beyond us. Our senses evolved over millennia to allow us to be born, survive, eat, marry and have children and die. Understanding was secondary to survival, grief irrelevant except for those still alive trying to have children or not.

For further info, contact: ericfulbright98@gmail.com

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Urban Acupuncture Applied to a Research Lab and Studio: ArtSciVillage an exemplar of Smart Village Acupuncture

Roger F. Malina


The UTDallas ArtSciLab is a university research lab and studio. We seek to apply trans-disciplinary, trans-cultural and trans-generational methodologies on problems that are desirable to solve.

Tomas Londono, and subsequently Tommy Ayala, initiated the application of Smart Village methods to our research lab. The hope is that we will uncover new ways of doing, discovering, and applying to societal contexts outside the ArtSciLab.

On of the ideas that Tomas Londono initiated was a quick application of the Methods of Urban Acupuncture. We propose to convert this to Smart Acupuncture, in a Smart Village Research Lab.

The simple version of the idea is that we tend to over think and over-analyze and plan. Sometimes a quick jab can create desirable change and ideas, drawing on the ideas of Maturana and Varela: auto-poetic smart acupuncture. Pin prick both the social system and the technologies used, separately to together.

About the Author:

Roger F. Malina is a space scientist and astronomer, with a specialty in extreme and ultraviolet astronomy, space instrumentation and optics. He served as director of the Observatoire Astronomique de Marseille Provence and was NASA Principal Investigator for the Extreme Ultraviolet Satellite project at the University of California, Berkeley.

He is also a publisher and editor in the new emerging research fields that connect the sciences and engineering to the arts, design and humanities. Since 1982, he has served as Executive Editor of the Leonardo Publications at MIT Press. He founded, and serves on the board of two nonprofits, ISAST in San Francisco and OLATS in Paris, which advocate and document the work of artists involved in contemporary science and technology.

He is currently a Distinguished Professor of Art and Technology and Professor of Physics, at the University of Texas at Dallas and Directeur de Recherche for the CNRS in France. He serves as the Associate Director of ATEC, and founded the ArtSciLab in the ATEC program fall 2013.