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Ongoing Projects Uncategorized

ASL & OC4ES Collaboration with AVVA


UTDALLAS ARTSCILAB AND OFF-CENTER FOR EMERGENCE STUDIES IS PLEASED TO ANNOUNCE ITS COLLABORATION WITH AVVA ASIA: AFRIQUE VIRTUELLE , VIRTUAL AFRICA In ASIA

VIRTUAL AFRICA is project aiming to promote collaboration between Africans and the diasporas through the creative industries and the interaction of art, science and emerging technologies.

VIRTUAL AFRICA aims to bring together a group of cultural, scientific and economic leaders and organizations interested in the implications of technoscience development and its appropriation in artistic and cultural practices. VIRTUAL AFRICA is thus committed to facilitating and developing collaborative projects at both local and international level through the organization of events and the implementation of institutional or informal partnerships. The objective is to create a network of actions and exchanges between individuals (creators, researchers, entrepreneurs, etc.), economic stakeholders (companies, foundations, charities…), and cultural or scientific institutions (museums, galleries, schools, universities…). A network that reflects the diversity of the arts, sciences and technological practices in use in Africa and across its diaspora (in Europe, the Americas, or Asia).

The immediate focus will be Virtual Africa and Asia:

Recent estimates suggest that China hosts an increasing substantial number of African students – on the order of 80,000 to 100,000 – enrolled in its higher education institutions. In India, there has been noticeable growth, with estimates ranging from about 3,000 to 5,000 African students.

The role of the diasporas is essential here because they carry the idea of mobility and creolization, in other words the circulation of knowledge and people, confirming the premise of a situated and distributed knowledge. Therefore, besides the analogy with digital environments, the label VIRTUAL AFRICA is used to designate the network of actors involved in this project, challenging the definition of Africa as suggested by its qualifier, and constantly putting it back into motion. Moreover, such a transcontinental approach allows for the project to contribute to a redefinition of the relationships between the North and the South or between the Souths in the framework of the Global South.

In a context of effervescence and renewal of African art and emerging technologies, VIRTUAL AFRICA explores the new territories of art, science and technology by engaging in consulting services for events and cultural or scientific mediation, publishing, and artistic creation. VIRTUAL AFRICA nevertheless intends to promote the expression of vernacular languages and cultures by developing multilingual and multimodal publication projects.

CONCEPTS & ACTIONS

We strive to develop research-creation, production and content dissemination projects that involve the creative and cultural industries on the African continent or abroad. In its current form, VIRTUAL AFRICA is divided into six modalities of action and six thematic axes.  These actions are structured, but are not limited, to the publishing and editing activities of the international organization Leonardo, to which must be added consulting services, cultural mediation, content translation or project management and development including fundraising plans. A significant number of encounters, including workshops, training, summer camps and art-science meetings, are also part of the program. The research themes covered by this project include the observation of new art territories as well as cultural or economic initiatives that aim to strengthen the links between the southern hemispheres. We will consider two major discourses on contemporary Africa as a basis from which this project can be carried out.

Actions:

  1. Art-Science-Technology Workshops at the N°17 (Paris)
  2. Editing, publishing and translation of content
  3. Consulting & training (exhibition, conferences, project management, etc.)
  4. African Leonardo Art Science Evening Rendezvous (LASER)
  5. International School of Art, Science and Technology (Summer Camps)
  6. Art-Science Librairies

Concepts:

  • Diasporas
  • Afrofuturism and Afropolitanism
  • South by South (Africa, Latin America, South Asia)
  • Feminism
  • Digital and scientific humanities
  • Multilinguism and Nomadism

STEERING COMMITTEE: Yvan Tina, project Lead and manager; Roger Malina, president of Leonardo (OLATS); Annick Bureaud, director of Leonardo/OLATS.

SCIENTIC COMMITTEE: Annick Bureaud, Leonardo/OLATS; Claudine Dussolier, RAMIMED; Janeil Engelstad, Make Art for Purpose; Stephen Kovats, Agency for Open Culture; Roger Malina, OLATS; Haytham Nawar, Cairotronica; Marcus Neustetter, The Trinity Session; Yvan Tina, Virtual Africa; Nicola Triscott, FACT/Ars Catalyst.

Contact

Yvan Tina yvantina@gmail.com

Roger f Malina rxm116130@utdallas.edu

Categories
Uncategorized

THE HEALING CANVAS

We are Pleased to Announce the Launch of

“The ArtSciLab Healing Canvas”

March 10 2025 

With the participation of Marten Weldon and Roger F Mallina, we are researching the utilization of healthcare spaces to promote patient recovery. Studies have shown how art can play a vital role in the healing process, and with a biophilic perspective, we seek to study the interactions people have with different environments. We are beginning the project at the UTD ArtSci Lab in the Bass School, looking into people’s comfort, stress, interactions, and efficiency in different types of rooms. Eventually, we will take our research to clinical settings and promote the use of art alongside natural elements in spaces that will encourage patient recovery. With each room being a canvas, we hope to inspire wellbeing through our design. An IRB is being filed so we can collect and analyze data as we go forward. If you are interested in being involved, please contact Shreyas Chandra at: Shreyas.Chandra@UTDallas.edu 

Categories
OC4ES Publication Uncategorized

The importance of continents, oceans and plate tectonics for the evolution of complex life: implications for finding extraterrestrial civilizations

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Uncategorized

Dear ArtSciLab Students,

We are pleased to announce that Patricia Olynyk, an advisor of the ArtSciLab has co-curated the exhibition Extractivism:

Extractivism in the Americas features artworks focused on mining, pipelines, groundwater and other natural resource extraction. Through photography, film, textiles and design, these artists examine the environmental and social impacts of extraction in the United States, Canada and Latin America. The exhibition is hosted by WashU’s Environmental Arts & Humanities Working Group in the Center for the Humanities and funded by WashU Arts & Sciences and Here & Next.   

Extractivism in the Americas | Center for the Humanities

Extractivism in the Americas
Art and design on mining, pipelines and other natural resource extraction
February 7–March 7
Des Lee Gallery, 1627 Washington Ave., St. Louis, MO 63103
On view: Thursdays-Saturdays, 1–5 pm

Patricia Olynyk

Advisory Board Member

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Blog Uncategorized

The Physics of Migration: Edition 5

Roger F. Malina – ORCID


Book: “Migration Theory: talking across disciplines”

4th edition, Caroline B Bretell and James F Holland. Routledge, New York, 2023 DOI 10.4324/9781003121015
by: Caroline B Bretell and James F Holland

So, I have just finished reading page 156 of this book, the chapter by Philip Martin. The Chapter title is Economic Aspects of Migration

The chapter, as the author admits, is USA centric which is fine. It feeds into my bias that migration to the USA is a good thing. I migrated for the first time to the US for college at MIT in 1968.

My Czech grandparents family migrated to Texas in 1882, then they hated it so much they migrated back to Bohemia in 1918 after the first creation of the Czech Republic. Then the great depressions chased them back to Texas in the 1920s. My father was a forced migrant back to Europe in 1954  and became a political refugee in France, where I was born.

My father accidentally became a millionaire at the same time and switched careers from engineering to arts then publishing. I left France to USA to become a university student.

This is much discussed in this chapter: the lack of convincing correlation between going to college and subsequent career success. Neither Bill Gates nor Steve Jobs went to college.

About the Author:

Roger F. Malina is a space scientist and astronomer, with a specialty in extreme and ultraviolet astronomy, space instrumentation and optics. He served as director of the Observatoire Astronomique de Marseille Provence and was NASA Principal Investigator for the Extreme Ultraviolet Satellite project at the University of California, Berkeley.

He is also a publisher and editor in the new emerging research fields that connect the sciences and engineering to the arts, design and humanities. Since 1982, he has served as Executive Editor of the Leonardo Publications at MIT Press. He founded, and serves on the board of two nonprofits, ISAST in San Francisco and OLATS in Paris, which advocate and document the work of artists involved in contemporary science and technology.

He is currently a Distinguished Professor of Art and Technology and Professor of Physics, at the University of Texas at Dallas and Directeur de Recherche for the CNRS in France. He serves as the Associate Director of ATEC, and founded the ArtSciLab in the ATEC program fall 2013.

Categories
Archive-2023 Uncategorized

Harry W. Bass Jr. School of Arts, Humanities, & Technology

The Harry W. Bass Jr. School of Arts, Humanities, & Technology at The University of Texas at Dallas held a historical dedication and naming ceremony outside the Edith O’Donnell Arts and Technology Building on Sept. 28. Learn more about it here.