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CALL FOR COLLABORATORS ARTSCILAB AND OFF CENTER FOR EMERGENCE STUDIES

A.I. FEVER

We are pleased to announce we have just submitted funding proposals for the following two projects. If they are funded, we will hire UTD students on the projects and collaborate with additional interested faculty. If you have interest and relevant expertise, feel free to reach out to Roger F Malina rxm116130@utdallas.edu.

The students who become involved would be able to enroll in our graduate seminar on Emergence called Arts, Sciences and Humanities. Graduate and undergraduate students of any school can enroll or audit the class. It is listed in the UTD catalogue as: Both involve AI Fever (joke).

Mining and analyzing structures on local and large scales: 

Bridging cosmology and social structures to identify emergent phenomena:case study emerging silos at UTDallas

Co-Proposers: Prof Lindsay J King, Physics Department, NSM and Prof Roger F Malina, ATEC Bass School

Summary

The project brings together a team of researchers from NSM and AHT, collecting and analyzing data that captures the growth of structures on vastly different spatial and temporal scales – the Universe and the University. By regularly sharing our methodologies and results, and embracing transdisciplinary approaches, we will expand our horizons and potentially arrive at novel interpretations of the data and recommendations for applications.

The STEM project is within the Physics Department, with a graduate from ECS. It involves mining state-of-the-art computer simulations of the emergence of structures in the Universe (cosmological simulations), to gain critical insights into real data from space-based and ground-based observatories. We will better understand the dominant physical processes in galaxies as a function of cosmic time, based on how light traveling from distant bright sources is absorbed by intervening gas. We propose to develop and apply (already promising) machine learning (ML) tools, trained on mock data from cosmological simulations.

The Arts, Humanities and Technology contribution is a project of the new Off-Center for Emergence Studies in the ArtSciLab. A case study for this proposal would be to study the emergence of structures at UTD since its founding; we would draw on cosmology simulation methods to anticipate which future structures will emerge in the university. We will also draw on contemporary sociology and ethnography. The team will include both current and retired faculty as part of the study of the emergence of new types of faculty.

Both projects will involve faculty and students applying domain adaptation methodology, a subfield of transfer learning in ML concerned specifically with adjusting models to work across different—but related—data domains. The methodology draws on the Science of Team Science (US National Academies Report, 2015).      

AND

Fred the Heretic (FTH): AI-Powered Creativity Through Visual and

Poetic Workflows     Phase 2 Proposal April 30, 2025

School: School of Arts, Humanities, and Technology

Principal Investigators: Roger Malina Co-lead: Flavia Da Costa

Email: rxm16130@utdallas.edu

Emergence Studies Off-Center (OC4ES), University of Texas at Dallas

Summary

Fred the Heretic (FTH) is an innovative, open-source platform developed at the University of Texas at Dallas that combines artificial intelligence and poetic creativity. This proposal seeks funding through the Institute for Artificial Intelligence (IAI) to support Phase 2 of the project: expanding its capabilities to include visual storytelling and launching a public-facing interface. At its core, FTH is a customizable poetry-writing AI trained on the works of internationally renowned poet Frederick Turner, a multiple-time Nobel Prize nominee in literature. Unlike typical AI tools, FTH enables users to personalize the AI’s voice and style, creating original poetry in collaboration with the system. FTH has already engaged a diverse, multilingual research community including students, faculty, artists, and retired scholars from around the world. In this next phase, it will integrate tools like n8n to create cross-modal poetic experiences, where words generate visual expressions in real-time. The initiative also includes public workshops, academic research, and interdisciplinary engagement across the arts, humanities, computer science, and cognitive science.

This project has the potential to redefine how AI is used in cultural and educational settings, offering a new model for inclusive and ethical creative technology. With a strong foundation at UT Dallas and a growing network of collaborators, FTH stands to make North Texas a national leader in AI-mediated literary and artistic innovation.

May 1 2025, Contact rxm116130@utdallas.edu

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Light Art and Scientific Abstraction

Announcing the Publication of Frank J, Malina, Light Art and Scientific Abstraction

Frank Malina : Light Art and Scientific Abstraction – Les presses du réel (book)

Edited by Camille Fremontier. 45.00 € ISBN : 978-2-37896-558-7EAN : 9782378965587
Preface by Roger F. Malina; contributions by Margit Rosen,Annikki Luukela; interview with Frank J. Malina by Frank Popper. First comprehensive book on the art of Frank Malina, American rocket scientist turned Paris-based artist, co-founder of the Jet Propulsion Laboratory, founder of visionary art/science revue Leonardo, and one of the fathers of light art. The book traces Malina’s singular transition from aerospace engineering to a leading figure in scientific abstraction while navigating the political, security and multimedia creative landscape of the Cold War. It examines how Malina blended his American cultural heritage with the ambitions of the European avant-garde and how he engaged in interdisciplinary and inter-community exchanges. The book situates Malina as one of the forefathers for many contemporary currents and reflections.

Published with RCM Galerie.  April 2025 English edition,23,5 x 27,5 cm (hardcover) 252 pages (ill. 45 euros

Frank Malina : Light Art and Scientific Abstraction – Les presses du réel (book)

Book signings will be held at University of Texas, Dallas and Texas A and M University and Caltech in fall 2025.

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Help diversify the Creative Disturbance publication platforms

Creative Disturbance is an experimental podcast platform created over 10 years ago at UTD. It closed during the COVID-19 pandemic, but we have rejuvenated and relaunched the project in 2024 thanks to your crowdfunding support.

Thanks to the UTD Saturn Digital Archive Project, our podcasts will have been archived digitally and on paper.

We now wish to get your help to become:

Meta-Cultural: One of the originalities of the project is its multi-lingual approach. The ArtSciLab involves faculty and students who speak dozens of different languages. We wish to serve as a platform for cross-cultural ingenuity. There is a deep incentive among UTD international students to publish for audiences in their home language. We will use the latest techniques in localization methods to reach audiences anywhere.

Meta-Disciplinary: Creative Disturbance seeks to ignore disciplinary boundaries that make interdisciplinary collaboration difficult. This remains a deep problem in academic institutions.

Meta-Generational: The pandemic triggered many changes in social behaviors, including the ability of older people to use the internet. We propose a goal of cross-generational communication and collaboration. We wish to publish the ideas of people of any age. We plan to re-interview people from podcasts recorded over 10 years ago and see how they think differently today.

Meta-Experimental: Creative Disturbance seeks to be productively disorganized and experimental, using best transition design methods to respond quickly to emerging needs and topics. An example is the Virtual Africa channel, which responded to the suggestions of growing numbers of students from Africa and China in our University. Creative Disturbance will listen loudly to the anxieties and proposals for anyone in our extended community. Part of this is to be meta-modal and publish in any medium that can be used to publish, including virtual reality and AI listeners. We also plan to publish an acid free paper book for audiences 1,000 years from now.

We propose to raise $5,000 to pay students who record, edit and publish podcasts. Should additional funds be raised, we would allot them to students in different disciplines across campus to interview people in their areas of interest. This would include data analytics, psychology and neuroscience, physics and any other diploma or microcredit on the UTD campus. In addition, we would pay students to be liaisons to our international collaborators in Columbia, China, Europe, Canada and elsewhere.

Since our launch of Creative Disturbance, we published over 900 podcasts and have had over 100,000 downloads. We would like to triple this number and provide publishing opportunities for students to build their portfolios and resumes. With a focus on the families of students, internationally and in the U.S., we think Creative Disturbance could serve as a smart or cyber- village, an international movement under way to provide social innovation.

The group is led by UTD alumnus and ArtSciLab Manager Evan Acuna. The first team membership will be offered to ArtSciLab members https://artscilab.utdallas.edu/people/ including faculty and students. We would also reach out to the lab alumni 100 strong https://artscilab.utdallas.edu/people/. Roger Malina would be the supervising faculty member.

We would also offer the opportunity to each donor to record and publish a podcast of their own, subject to ethical review.

To Fund and show support towards ArtSciLab: https://impact.utdallas.edu/project/44774

You can learn more about ArtSciLab here and follow us on Instagram and LinkedIn.

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Send Ideas and Art!

Doors of Deception

ATEC’s ArtSciLab calls for ideas on creating new illusions; Our focus is on expanding ways that illusions are created to confuse and amuse.

Illusion submissions can be for any of the human senses, and in any format.  We also explored combinations of sight and sound illusions, or dynamic changing illusions. No restrictions as to what you can submit. Novel entries will be exhibited in the 3rd floor gallery in the ATEC building.

Submissions for this were closed on 26th April.